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The Fugees: Score - VINYL LPTitle: Score Artist: The Fugees Label: Sony Product Type: VINYL LP UPC: 889854345013 Genre: Rap Hip Hop Release Date: 2018 08 03 Number of Discs: 2 Additional Details: HOLLAND IMPORT UK import on heavyweight vinyl. The Score is the second and final studio album by the hip hop trio Fugees. The album features a wide range of samples and instrumentation, with many aspects of alternative hip hop that would come to dominate the hip hop music scene in the
Title: ScoreArtist: The Fugees
Label: Sony
Product Type: VINYL LP
UPC: 889854345013
Genre: Rap/Hip Hop
Release Date: 2018-08-03
Number of Discs: 2
Additional Details: HOLLAND - IMPORT
UK-import on heavyweight vinyl. The Score is the second and final studio album by the hip hop trio Fugees. The album features a wide range of samples and instrumentation, with many aspects of alternative hip hop that would come to dominate the hip hop music scene in the mid-late 1990s. The Score's production was handled mostly by The Fugees themselves and Jerry Duplessis, with additional production from Salaam Remi, John Forté, Diamond D, and Shawn King. The album's guest raps are from Outsidaz' members Rah Digga, Young Zee and Pacewon, as well as Omega, John Forté, and Diamond D. Most versions of the album feature four bonus tracks, including three remixes of "Fu-Gee-La", and a short acoustic Wyclef Jean solo track entitled "Mista Mista." Upon it's release, The Score was a commercial success, peaking at the number one spot on both the Billboard 200, and the Top R&B/Hip Hop Albums chart (it was a number-one album on the latter in 1996 on the year-end chart). The singles "Killing Me Softly, " "Fu-Gee-La, " and "Ready or Not" also achieved notable chart success, and helped the group achieve worldwide recognition. On October 3, 1997, The Score was certified six times platinum in sales by the Recording Industry Association of America (RIAA). In addition to receiving mostly favorable reviews upon it's release, the album has garnered a considerable amount of acclaim over the years, with many music critics and publications noting it as one of the greatest albums of the 1990s, as well as one of the greatest hip hop albums of all time. In 1998, the album was included in The Source's 100 best rap albums list, and in 2003, it was ranked number 477 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Tracks:
1.1 Red Intro
1.2 How Many Mics
1.3 Ready or Not
1.4 Zealots / I Only Have Eyes for You
1.5 The Beast
1.6 Fu-Gee-La / Fu-Gee-La - Sample Ooh la la la
1.7 Family Business
1.8 Killing Me Softly with His Song / Memory Band
2.1 The Score / the Dove
2.2 The Mask
2.3 Cowboys
2.4 No Woman, No Cry
2.5 Manifest / Outro
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4.6 ★★★★★
Based on 9 reviews
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Product Reviews
★★★★★ 5
Good Speakers - Good Reputation - Good Purchase
Size: 5.25” Woofer
Good sounding, high quality speakers. These are Klipsch...enough said.
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Reviewed in the United States on March 31, 2026
★★★★★ 5
Klipsch R50 M next generation
Size: 5.25” Woofer
In spite of small size sound is very nice iam using it with a subwoofer and with my yamaha A4A AV receiver i like it iam hearing mostly heavy metal and the speakers have a nice punch and attack
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Reviewed in the United States on February 18, 2026
★★★★★ 4
compact surrounds that blend well with the right setup
Size: 4” Woofer
I picked up the Klipsch R‑40M as part of a full 5.1 system built around the R‑50M fronts and the R‑50C center. My original plan was to use another pair of R‑50M speakers in the back, but they simply didn’t fit in the rear cabinet space I have. The R‑40M ended up being the only model that fit comfortably, so they became my surround channels.
In terms of build quality, they feel solid and consistent with the rest of the Reference Next‑Gen line. The copper woofers and updated horn design give them the same visual identity as the larger models, which helps the whole system look cohesive. They’re compact enough to place in tighter spaces without compromising too much on performance.
Sonically, the R‑40M does a respectable job as a surround speaker. Effects are clear, directional cues are easy to follow, and they integrate smoothly with the more powerful R‑50M fronts. That said, they are noticeably less powerful than the R‑50M, so you need to spend a little time balancing your levels. Once I bumped their channel trim a bit and adjusted the distance settings, the rear soundstage locked in nicely and felt much more even.
They won’t deliver the same fullness or dynamic punch as the larger models, but for rear channels that’s usually not a deal breaker. What matters is clarity and consistency, and the R‑40M handles both well. Movies with active surround mixes feel immersive, and ambient effects wrap around the room without calling attention to the speakers themselves.
If you’re building a system where space is limited in the back, the R‑40M is a practical and capable choice. Just be prepared to fine tune your calibration so they match the output of the bigger speakers up front. Once dialed in, they round out a 5.1 setup very effectively.
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Reviewed in the United States on January 22, 2026
★★★★★ 5
Great Bang for the Buck!
Size: 5.25” Woofer
These R50 Studio Monitors are worth every penny. One could easily spend a heck of a lot more to get less. Have been a pro audio engineer my entire life. These monitors kick out clean, solid bass and accurate highs. Klipsch did a excellent job designing these monitors. Perfect for smail spaces where fidelity is critical. If you wall mount these, make sure you leave at least a 1.5 inch air gap between the back of the monitor and the wall. These units are sweet.
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Reviewed in the United States on July 22, 2025
★★★★★ 5
Worth the price
Size: 5.25” Woofer
I had in ceiling front speakers and went with these instead. The front ceilings are now height speakers. Sounds great now.
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Reviewed in the United States on January 23, 2026